Dunmore’s Caroline Lapinski joins Shakespeare staff

Caroline Lapinski of Dunmore, a multi-faceted theater arts major with a concentration in playwriting in the Bachelor of Fine Arts program at Point Park University, Pittsburgh, has joined Scranton Shakespeare Festival this season as a junior producer.

The talented Dunmorean first became involved in theater as a nine-year-old attending Camp Daleville where she played the Scarecrow in The Wizard of Oz.

The youngster continued with the Green Ridge Youth Theater, which is now defunct, and studied for nine years at Linn McDonald Dance Studio.

“I absolutely fell in love with acting and theater,” says the 21-year-old who is the daughter of Josephine Doherty of Dunmore. Caroline has two siblings, Catelyn Lapinski and Anne Doherty.

Later at Scranton Prep, where she was graduated in 2020, Caroline acted in school productions of Almost Maine, A Wrinkle in Time, Rags, Mamma Mia, and Cinderella

These positive experiences prompted Caroline to move on to study at Point Park where she has served as assistant director for a Mainstage Production of the musical Newsies at the Pittsburgh Playhouse.

She has also directed four productions, including one-act comedies such as Really This Is It, which Caroline wrote, and A Lovely Day for a Boating Trip and To Kill Your Spouse.

The young playwright prefers writing comedies. “They just come easier to me for some reason,” she says.

At Point Park she has been a producer for the student-run Bridges Theater Company, which she serves as associate artistic director. She has taken the lead in producing a one-person show entitled A Devised Piece, as well as a comedic cabaret, 10,000 Ways the Universe Does Not Have Your Back.

As if directing and producing is not enough, Caroline served as dramaturg for Ride the Cyclone, a musical taking place in Ukraine. She helped the cast with accents, costumes, and understanding Ukraine culture, which came naturally since Caroline is Ukrainian on her paternal side.

“I knew some of the culture already, since my family has incorporated Ukrainian Christmas and Easter traditions into our holidays,” she points out.

If anything has been put on the back burner, it would be acting, although Caroline appeared in Degas C’est Moi, and understudied for a role in an original work entitled Today I Looked Up.

“I’ve taken a step back from acting for now in order to learn other career options available in the theater,” Caroline explains.

Consequently, she is excited about her upcoming summer with Scranton Shakes.

“People speak so positively about their experience with this organization,” Caroline points out. 

“And I would have to say that my initial introduction to the Scranton Shakespeare Festival really has been wonderful.”

Her first task upon arriving at the ShakesSpace, a new performing venue donated to the organization by the Marketplace at Steamtown, was to assist with an enormously popular fundraiser on May 21. Entitled A Sunday in Steamtown with Sondheim, it was conceptualized by SSF artistic director Michael Bradshaw Flynn with music direction by Stephen Murphy and received multiple standing ovations from two sold-out audiences.

The cabaret salute featured 20-plus Sondheim classics as well as a reception for premium ticket holders with such clever snacks as Mrs. Lovett’s Meat Pies (Sweeney Todd); Desiree’s Sandwiches (A Little Night Music), Brie and Cranberry Bites (Sunday in the Park With George) and Bobby’s 35th Birthday Party Cake (Company), among other treats. 

It was also exciting for Caroline to see her former Prep director, Colin Holmes, in the show, along with her mentor, Billie Aken Tyers.

“Billie is the one who encouraged me to apply for the junior producer position at ScrantonShakes,” Caroline reveals. “I am excited to get the job.”

Caroline is now busy assisting with planning an opening night ribbon-cutting and reception prior to the season opener, You’re a Good Man, Charlie Brown, on Thursday, June 22.

In addition to facilitating events, other duties she will tackle for the summer–along with fellow junior producer Point Park University student Jeramie Welch–will be company management, coming up with fund-raising ideas, and helping any place she is needed.

“I love the new space for Scranton Shakespeare Festival,” she notes. “I love an intimate space for theater, and I can already feel how collaborative, friendly, and supportive this organization is.

“And I am proud to be part of Scranton Shakespeare Festival’s mission to bring free and accessible professional theater to this community. I absolutely adore this area, and am so excited to be part of this experience.”

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Note: Information on mainstage productions of You’re a Good Man, Charlie Brown, Shakespeare’s Othello, and the musical Rent can be found at ScrantonShakes.com, along with the Youth Ensemble’s productions of Twelfth Night and the Percy Jackson musical The Lightning Thief can be found at ScrantonShakes.com. All performances are free and handicapped accessible.

ScrantonShakes to present premiere Panto production

By Maureen Hart

The Scranton Shakespeare Festival will be introducing a new kind of entertainment this holiday season with its Pantomime production of Snow White and the Seven Scrantonians at the Marketplace at Steamtown from Dec. 15-18 written and directed by Billie Aken-Tyers, an SSF alumna.

In addition to providing a jolly good time to audiences young and old, the show will raise funds to renovate the festival’s new space at the marketplace for more flexible programming.

Ticket buyers will literally be helping with both renovating the space and helping to fund the free professional summer season of musical and plays by Shakespeare.

Because Panto, a British tradition, is new to Scranton, we have conducted a Q&A with the playwright, and with Jonathan Stephens, SSF managing director, both of whom hail from the UK.

Help us out. What exactly is panto?

JONATHAN: Pantomimes pop up around the holidays and retell classic fairy tales through farce, song, dance, and slapstick fun! It’s a classic tradition that originated in the United Kingdom using a stylized theatrical performance rooted in the method of commedia dell’arte. Using comedy along with plenty of glitz and audience participation, pantos welcome all ages for an incredibly accessible evening of encapsulating storytelling.

Do you remember seeing your first panto in the UK?

BILLIE: Every Christmas Our school would take us to see the big pantomime at the Theatre Royal in Newcastle. It was a big deal, very expensive and flashy, and always so much fun. The kids would get very excited, and so would the adults. As I got older and started to realise how tongue-in-cheek panto was, I started to appreciate the humor more than anything else. 

JONATHAN:

Panto has always been a part of my life since I can remember – the tradition is so embedded that I can’t even recall my first one.It’s symbolistic to me of a perfect family night out; there’s truly something for everyone. Dazzling colours, hilariously over-the-top characters, sing along songs – a whirlwind of memories to be made!  

Playwright Billie Aken-Tyers is shown in a panto style production.

Billie, tell us about the original panto script you are writing and directing for ScrantonShakesl

BILLIE: The key to a good panto is that it feels like it is a part of the community. So, there will be plenty of NEPA specific humor happening. Pantos typically follow a basic fairytale plotline, with catchy pop songs thrown in, and the occasional vaudeville sketch. Lots of color, dancing, singing and silliness abounds. With the occasional tongue in cheek joke for the adults!

Why did ScrantonShakes decide to introduce this uniquely British theater experience to Scranton?

JONATHAN: We’re passionate about accessible storytelling at Scranton Shakes, and always love introducing fun new experiences to NEPA audiences that the whole family can enjoy. Panto provides all of those things! Given the amount of British collaborators (including myself) we’ve worked with during the life of Scranton Shakes, it was a perfect match for our mission and our know-how! We’ve wanted to bring a fun new tradition to Scranton and we think everyone is going to love experiencing Snow White and the Seven Scrantonians the Scranton Shakes way.

BILLIE: Clue us in. What kind of experience can the ScrantonShakes audiences expect?

Be prepared for lots of fun! Pantos are loud affairs, it’s interactive, and we want the audience to be involved. I almost can’t quantify what Panto is in a sentence because it’s so entrenched in British culture. But at its essence it’s about laughter, community and holiday cheer. Panto was and always has been theatre for the masses. Which feels very akin to what Scranton Shakes is doing in Lackawanna County!

Jonathan Stephens, managing director of Scranton Shakespeare, is shown playing Pinocchio.

How can people reserve tickets?

JONATHAN: Tickets are on sale now! The easiest way to get yours is via our website at Scrantonshakes.com. You can also give our box office a call at (570) 230-7277. We highly recommend booking tickets in advance to avoid disappointment.

Wbo we are:

 Billie’s work as an Actor, Director and Playwright has appeared on numerous stages internationally. Selected Credits:Fairycakes Off-Broadway(Greenwich House Theatre) Ragtag Theatre’s Cinderella (Soho Playhouse,Redhouse Arts, Barrington Stage Company),  Regional: Hood (Dallas Theater Center) The Revolutionists (Lake Dillon Theatre)  Mamma Mia! (Mill Mountain Theater) How to Succeed, Footloose, Much Ado, Pirates of Penzance (Scranton Shakes seven seasons). Directing: Your Alice(BAM, Edinburgh Fringe, Arcola Theatre, London) Rodgers and Hammerstein’s Cinderella (Shenandoah Music Theatre) Joseph and the Technicolor Dreamcoat (SSF) and Lysistrata Jones (Nominated for Outstanding Production, NYIT Awards). Writing: Your Alice (BAM, EdFringe, Ophelia Theatre) Next Round, (Theatre Lab, Gala Theatre Online), We Carry On- A series of radio plays. Barrington Stage Playwright mentor. www.billieakentyers.com @billieakentyers

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 Jonathan has been with Scranton Shakes since its third season, in 2014. Initially seen “treading the boards” as Pinocchio inFairycakes and as a tap dancing police officer in Pirates of Penzance, he has since moved into arts administration and producing at SSF, Jonathan has also worked as management for Punchdrunk’s sell-out show SLEEP NO MORE in New York City, The National Theatre of Scotland’s The Strange Undoing of Prudencia Hart and on Broadway for New York City Center’s Encores! production of The Band Wagon. Jonathan also enjoys a taste of the TV and film industry, and is grateful to have worked with some of the greats, including Warner Brothers Studios and AppleTV+.

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Maureen, who is editor of The Dunmorean, is in her third term as board chairman of Scranton Shakespeare, and has been involved with the organization since its founding 11 years ago. 

Five Dunmore students featured in Heathers Teen Edition

Five students from both Dunmore High School and Holy Cross High School are featured in the upcoming production of Heathers The Musical: Teen Edition to be presented Aug. 3, 4 and 5 by the Youth Ensemble of the Scranton Shakespeare Festival at the Marketplace at Steamtown.

The production is directed by Lizzie Newcomb Gumula, founder of the SSF Youth Ensemble and a recent graduate of Lafayette University. The show is choreographed by Kelly Jean Graham and music directed by Burke Hutchinson.

Julianna Argust, a junior at Dunmore High School who appeared in last season’s Youth Ensemble production of Peter and the Starcatcher, plays a nerd in Heathers. She has been a member of the DHS drama club and played Mrs. Claus in its Christmas show. Julianna is also a member of the newspaper and TACT clubs at her school.

Also appearing from Dunmore High School as a Goth in Heathers is Savanna Sherman. A sophomore honors student, she is involved with band, where she is the saxophone section leader; chorus, drama, mock trial, and Student Council. She has performed in productions of All Together Now, Hard-Boiled Eggnog, and The Wizard of Oz.

Holy Cross High School senior Theodore Novak plays Ram Sweeney in Heathers. A student at Dave Ragnacci School of Dance, he has played in school productions of Cinderella, Pygmalion, and Little Women, and played the title role in last year’s Youth Ensemble production of Peter and the Starcatcher.

Pictured from left: Julianna Argust and Savanna Shermank, both from Dunmore High School; Shannon Ryan, Teddy Novak, and Brielle Scheland, all from Holy Cross High School.

Shannon Ryan, who has local acting experience, has also acted in plays at Holy Cross High School where she is a senior. She portrays a cheerleader in Heathers, an activity she also participates in at Holy Cross during football and basketball seasons.

Brielle Scheland, a senior at Holy Cross, plays a cheerleader and serves as Dance Captain for Heathers. She has been a dancer for eight years and participated in this year’s District and Regional PMEA Choir Festivals.

Youth Ensemble members also receive instruction from professional senior members of the Scranton Shakespeare Festival, including Jill Aebli, Burke Hutchinson, Gianna Porfano, and Lydia Stinson.

Heathers The Musical: Teen Edition is based on the popular movie and tells the darkly delicious story of Veronica Sawyer, a brainy, beautiful teenage misfit who hustles her way into the most powerful and ruthless clique at Westerberg High–the Heathers. 

But before she can get comfortable atop the high school food chain, Veronica falls in love with the dangerously handsome new kid, J.D. When Heather Chandler, the Almighty, kicks her out of the group, Veronica decides to bite the bullet and kiss Heather’s aerobicized butt…but J.D. has another plan for that bullet. The show is a hilarious, heartfelt, and homicidal new show based on the greatest teen comedy of all time. The show is rated PG-13.

Tickets for all Scranton Shakespeare Festival productions are free and can be reserved at  ScrantonShakes.com.